New York Electric Piano's
latest release, available early Nov. '08

 


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From placing their own self-released CD into the CMJ Top 20 in 2004 to landing a review in the Jazz Times with their last release, New York Electric Piano has come a long way.  And just like the universe, NYEP is expanding. The original trio of pianist Pat Daugherty, bassist Tim Givens, and drummer Aaron Comess has doubled, adding 3 New York musicians: Leon Gruenbaum on his unique instrument the Samchillian, Till Behler on saxes and flutes, and the singer Deanna Kirk. After three instrumental releases that probed the Fender Rhodes electric piano sound their new release out Oct. 27th features vocals, acoustic piano, and a diverse set of Daugherty originals that embrace jazz’s past while exploring its future.

It all began as NYEP played out their 2007 release Blues in Full Moon. Leon Gruenbaum, keyboardist with Vernon Reid and James “Blood” Ulmer, began showing up at the bands gigs. “Leon is one of my favorite players and I invited him to bring his ax and sit in”, Pat says. “He did and has never left!” In the early 90’s Pat and Leon shared the piano chair at vocalist Deanna Kirk’s NY restaurant, a jazz spot that was the center of a burgeoning scene.

Then Till Behler, a tenor/flutist known for his recording work with the Brazilian Girls, showed up at a Cutting Room gig and sat in. “I heard Till one night at NuBlu and he had a fierce tone,” Pat confesses. “I knew his sound was right for the band.” Till had played with Aaron and Tim in the late saxist Arnie Lawrence’s band, also at Deanna’s. The fans loved Till that night and he was in.

Also that night Deanna, who has performed with Eartha Kitt and Cecil Taylor, performed Pat’s song “Why are we here?”  The tune normally has a bossa feel but the band swung it that night: the crowd was mesmerized. It got Pat  thinking, why not add some vocals to the new album. “I was listening to some old big band records and I was intrigued with how the vocalist doesn’t come in till the end of the tune.’ Daugherty explains his inspiration for Temple Tantrum, a paean to dance. Finally Pat invited the drummer Mal Stein to add some soundscapes to the record. “Mal added a beautiful layer that confirmed the misterioso quality of the music.”

Suddenly these musicians with a shared sense of community had become the new NYEP. They display the results of their chemistry on King Mystery. Bill Milkowski has said of NYEP, “From start to finish, this highly interactive trio grooves with crackling intensity and a rare degree of group think”.

                       

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